KC and the Sunshine Band

Apr 052016
Alaimo and Stone

Steve Alaimo and Henry Stone in 2013 – Jake Katel

“When Steve Alaimo came back to Miami to join me in the record business he was working as a singer at Caesars Palace in Las Vegas. He was just coming off hosting a nationally broadcast tv show called Where The Action Is.

He had a song on the charts called “Everyday I Have To Cry.”

He worked the Copa Cabana in New York City doing a whole nightclub act. He was a fantastic act, getting stronger and stronger.

One day I get a call from him and he says, “Henry. I wanna come back to Miami and be with you in the record business.”

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Mar 282016


“Julio Iglesias. Back in in the 1970s when TK was pretty hot I had a situation with him. His manager was very friendly with a guy that worked for me. One day he brought Julio Iglesias into the office to meet me.

I was sitting behind my desk and he goes behind my hair, and he says, “Make me like KC.”

Just like that, exact words. Cause he was very big around the world yknow, but he wanted to be big here in the states. So he says, “Make me like KC…”

I’ll  never forget that, I can just picture sittin’ there talkin, and he comes around, nice meetin ya, yknow the whole bullshit thing yknow. And back then my hair was nice and long like. And I didn’t make him like KC, but he did his own thing I will say. He was very big around the world.

Jose Iglesias Jr aint doin too good though. He’s not doin’ as big numbers as the other one. Enrique.”


©HenryStoneMusic Inc. and Jake Katel. All Rights Reserved

Nov 172015


Fermin Goytisolo is a master percussionist. He has been a global ambassador for dance music for four decades, toured around the world, played on millions upon millions of sold records, and remained a cool and humble dude throughout.

Fermin is also the only member of KC & The Sunshine Band to have started with the band in the 1970s and still be touring with the group today.

Today, Henry Stone Music had the honor of welcoming him into the HSM family by inviting him for a recording session for the upcoming Instrumental Magic II album at Franchise Studios.

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Aug 132015

“I had a conversation with Berry Gordy one day. The founder of Motown. He called me up when I got hot with TK in the 1970’s. He said, “Henry what the fuck are ya doin?!” Cause I was his distributor too. I was a Motown distributor, and TK was goin crazy, but Motown was in a low period. In the 60s they were huge, and are still very big. But in the 70s, I ruled the world.

So Berry Gordy said to me, “Whatareya doin!?!”

I said, “I’m doing what you were doin in the 60s.”

And we were talkin about how his artists were accusing him of beatin em out of all this money, but you gotta rememebr in those days when we sold a million records it was a million 45s, and artists got paid 3 cents a record royalty.

If you sell a million LP’s, you’re getting a buck 50 a record, so there was no comparison. He said, “No motherfucker, I paid every nickel, it was on 45s not LP’s.

Now KC? He got all his money on his LPs. He got every nickel. KC was real cool. Course he had this bitch working for him, Sherry Smith, and she sat right next to my bookkeeper every day and knew that everything was happening. I’d give him his royalties every month practically. Which was good, he was takin care of business.”

©HenryStoneMusic Inc All Rights Reserved

Jul 082015

“I was a distributor when CD’s came in. That’s what almost killed me. I hadda buy all those CDs! Along with still carrying LP’s, you hadda give em an order for, let’s say in the very beginning when the CDs first came out…Let’s say you were gonna order 100 units of something, you’d order 60 LPs and 40 CDs and then of course it started to change. You started ordering 60 and 40 the other way, then 70 and 30, and then eventually the LPs got eliminated and it was all CDs. Everything came out on CD form.

And I was a distributor. I was there. I was a distributor right through…even when I had TK, I had Tone Distributing.

I didn’t give up my distribution. In fact, today Inez is going out with Cheryl Regan who’s Russ Regan’s wife, and 20th Century is one of the labels I actually distributed when I had TK. I had big records with Barry White and “Kung Fu Fighting,” those were both Russ Regan yknow.

So I still had my Tone Distributing while I had TK. Thats when I became so huge that whoooo…hahaha. Tone wasn’t as big cause the independents started to do their own thing, their own distrobutions, Motown, Warner Bros, Atlantic yknow, and then suddenly labels like Arista, I had Arista which was Clive Davis, he ended up selling out to Columbia by the way, so I lost that line yknow.

TK became my big million dolla….multi million dolla operation with all those hit records. Hit artists. I built KC and The Sunshine Band, I built Latimore, I built George McCrae, I built Gwen McCrae, Jimmie Bo Horne, Little Beaver, Blowfly, Betty Wright….I built these artists just like Motown did their artists. I didn’t have just one hit. Every once in a while I’d get a one hit artist, same with Motown havin a one hit artist, but most of their things were building Supremes and the Tempts, they built their artists. I built my artists too like KC, I had 6 number one records with KC and three platinum LPs yknow. LPs. It was still LP time yknow in the 70s

I never became RIAA certified, I never joined that organization. I thought they were full of shit, just a way to rip the majors off, but the majors were in there they like controlled it yknow. All the majors were a part of it. They tried to get me join and I said nah man that’s a majors thing I dont wanna get involved with that. I just turned em down. I member a lot of the independents turned em down. I know Morris Levy never used the RIAA. They knew it was controlled by the majors. Big business. That was all part of it.


©HenryStoneMusic Inc. All Rights Reserved

Oct 032013

Top 10 KC & The Sunshine Band Hits from TK Records

KC & The Sunshine Band

KC & The Sunshine Band

KC and The Sunshine Band are one of the world’s most popular musical groups. With 2 songs on the Saturday Night Fever movie soundtrack, 9 Grammy nominations, 3 Grammy awards, 5 Billboard #1 pop singles, and incredibly influential dance music staples like “Shake Shake Shake (Shake Your Booty),” “I’m Your Boogie Man,” “Keep It Comin Love,” and “That’s The Way I Like It,” to name a few, their music has been a worldwide sensation since first hitting the mainstream in the 1970’s.

The group was born in Hialeah, FL from the combination of T.K. Productions powerhouse label owner Henry Stone’s industry moves, the open door policy that kept his company full of Miami’s most talented musicians, the teamwork between young engineer and bass player Rick Finch, and songwriter Harry Wayne Casey (KC for short), and the influence of Caribbean rhythms on dancey, bass heavy American r&b.

The band’s famous horn section, dancers, congas, and rhythm section made up of the best local players on the scene locked their sound into the beat of history.

Here are KC & The Sunshine Band’s Top 10 Hits on Henry Stone’s TK Records.

10. Please Don’t Go

In 1980, this smooth ballad was a worldwide number one hit. Women from Kansas City to Tokyo fell hard for the pleading vocals and bought literally tons of copies of it.

9. Keep It Comin Love

You may have heard this song in the soundtrack to the movies Howard Stern’s Private Parts (1997), Blow (2001), Inside Deep Throat (2005), Wedding Crashers (2005), and Freak Out (2006). The track was very popular thanks to its driving beat and sexual double entendres.

8. Queen Of Clubs

It was a number one record in the UK. The band supported it out there playing 2 or 3 shows a night. Steve Alaimo took the group out there. And it was recorded before all the big #1 pop hits.

7. Sound Your Funky Horn

This was one of the early recordings too before the big hits. KC and his little junkanoo band played it at one of Clarence Reid’s weddings. Not too many people know about it, but it’s a good little record. It came out on Jay Boy Records in the UK. Clarence Reid co-wrote it with KC.

6. That’s The Way I Like It

This single from KC & The Sunshine Band’s second album is one of only a few pop hits in history to go #1 on the charts in non consecutive weeks. At the time it was released some people considered it risqué due to the subject matter suggested by the lyrics. It was huge around the world, from Norway to the UK to the USA.

5. Shotgun Shuffle

This song is remarkable for being an instrumental radio hit. It came out in 1975 and quickly became a smash on dance floors and then airwaves across America.

4. I’m Your Boogie Man

This classic track appears on the soundtracks to Roll Bounce, The Watchmen, Superbad, and all five Scary Movie films. It’s from the band’s third album, 1976’s aptly titled Part 3. The track has even been covered by White Zombie for The Crow: City of Angels soundtrack.

3. Shake Your Booty

This was the first #1 pop hit to receive mainstream radio play for a song with the word “booty” in it. Due to the controversial nature of the word, and its perception as having a sexual connotation, there were naysyaers within the TK ranks who said it would never be a hit. Henry Stone refused to listen, decided it would be a smash, and promoted it as a single which successfully topped charts around the world in 1976. It changed the face of modern dance music and is still incredibly influential today.

2. Boogie Shoes

Ever since hitting it huge on the soundtrack to the Hollywood disco classic Saturday Night Fever in 1977, “Boogie Shoes” has been a timeless and unforgettable song. That album initially shipped 15 million copies, and spent 18 weeks as the number 1 album on the pop charts. It can be originally heard on the band’s self titled second album from 1975 as well as the movies No Escape (1994), Mallrats (1995), Boogie Nights (1997), Detroit Rock City (1999), and The Wedding Date (2005) . Miami rapper Trick Daddy sampled it for his song “Take It To Da House.”

1. Get Down Tonight

“Do a little dance. Make a little love. Get down tonight! Get down tonight!” This was the first of KC & The Sunshine Band’s 5 songs to go number 1 on the pop charts. It has appeared in the movies Sid and Nancy (1986), Forrest Gump (1994), Rush Hour (1998), Deuce Bigalow Male Gigalo (1999), and Arlington Road (1999). The track was parodied by Beyonce Knowles in the Mike Myers film Austin Powers: Goldmember. It also plays in the video game Grand Theft Auto: Vice City (2002). It is noted for its very distinctive opening made by playing a guitar solo at 200% speed over a normal speed guitar track.