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James Brown

Aug 112015
 

The Federal Agents used to come look through my books trying to bust me for something. I don’t know what. They used to do the same thing to James Brown when they tried to bust him. But they didn’t. Then they went after his manager, Charles Bobbit. In fact, I got him off that. I went to the Grand Jury in Atlanta and testified when they were tryin’ to bust Bobbit. They had me in the Grand Jury and I said, “No, I never gave this guy anything.” I said, “I paid him for certain things, but I never gave him any money….to give to disc jockeys.” But anyway, I got him off. And he never forgot it.

Twenty years later or so I got a call from him. He says, “Henry, you gotta do me a favor.”

I says, “Whattaya want me to do man?”

At that time he was representing…he had a period of about 5 or 6 years between James Brown where he did his own thing, cause while he was with James in Africa, Charles met the King of the Congo, or someplace, and his son wanted to be a singer. The King figured that if Bobbit was good enough for James Brown then he must be good, and so, he got hired and he managed this kid.

Anyway, I get a call one day and Charles Bobbit says, “Henry, I wanna use your studio. I wanna record Prince so and so.”

So I sez, “Sure man, c’mon down.”

He brought the kid to the studio, recorded him, and he gave me $20,000 dollars. I said, “What the hell’s that for?” He says, “It’s payback man. I didn’t forget what you did for me. This is all oil money. It’s all the prince’s money.” I still talk to Charles Bobbit. Every once in a while he calls me. He was with James Brown when he died, and I was one of the first guys he called when he passed away. Charles Bobbit. Terrific guy. He worked hard, man. For James Brown.”

 

 

©HenryStoneMusic Inc. All Rights Reserved

Jul 162015
 

“Al Sharpton was a promotion man for James Brown. He was doin somethin…promotion…or he was like, uh, hangin out. Some of these guys, they’re like hangeronners yaknow, but let’s say I give him the benefit of the doubt that he did some actual promotion for him. That’s when I first met him, through James Brown. And through the years I met him a couple times.

I met him, let’s see….I was on a plane with my lawyer goin up to see Morris Levy cause I was getting ready to split the companies and everything, and Morris was goin’ to Australia before he got busted. And I remember at the airport I hear someone screaming “Henry Stone!!!”

He comes running over and it was Al Sharpton, he says, “Henry, man, I haven’t seen ya in years, c’mere I want you to meet somebody.”

He grabs me by the hand and introduces me to Don King. And he says to Don, “This is James Brown’s man, he’s the only white man you should trust.” Now, Don King, he trusts a lot of white men. He made a lot of money for white people on that boxing shit. Big hustla man, great hustla.

And then I saw Al Sharpton at James Brown’s funeral too. He was glad to see me. And then about a week later we had a big thing here at the Hard Rock Casino, sort of all the James Brown people came down, all those friends and buddies, Al Sharpton, Charles Bobbit, and I think Don King was there too promoting a fight. I remember after the fight we all went into the VIP room and had dinner together with Sharpton. I think that’s when my son Joe met Al Sharpton.”

 

©HenryStoneMusic Inc. All Rights Reserved

Jul 072015
 

Going into the 1960s James Brown called me up one day and said, “Me and the band came down, got beat out of a date, we’re in Miami.”

I says, “Come on in the studio. I saw at a gig you did somethin called Mashed Potatoes.”

I told him, “I wanna record that.”

So we cut the Mashed Potato with the James Brown Band, with the JBs, but we called them Nat Kendrick, his drummer, and the Swans and that’s how we cut “(Do The) Mashed Potatoes”.

James was on there singing his ass off, but I had to take his voice off cause he was with King Records. I says, “James we can’t have your voice on there we gotta take your voice off,” so I put King Coleman on, the Disc Jockey, and of course that became a pretty big hit record

Now, I have the original recording with James Brown here if someday youd like to hear that.

So then later on, he left King Records, he went with Polydor Records , so he’s up in New York negotiating his contract with Polydor Records. It just so happened that we were at the Hilton, he was at the Maraquette, and I get a call from James. He says, “Henry where are ya Henry?”

I says, “I’m here in New York.”

He says, “Great! Come on over. I’m negotiating with Polydor and having a rough time, come on over.”

So it just so happened the president of Polydor was a good friend of mine, cause I distributed Polydor Records and I come over and James is there with his entourage With Hendry his hairdresser and everyone else. Al Sharpton. The whole crew.

So Polydor’s President calls me over to the side and says, “I think they’re gonna throw me outta the fuckin window here, you gotta help me!”

I said, “Ok whats the problem?”

See I happen to know from bein in the street and knowin the business, and Polydor knew that James was breaking out in Europe and all over the world very big. Maybe James didn’t know that at the time, cause he was always right here in the states, but I knew from my street information that his records were breaking out all over the world, very big, and his contract was up for a negotiation yknow.

So I says, “James, whattaya want?

He says, “I want a jet.”

A jet? I says okay and so I says to the Polydor pres, “You want this thing to go down where everything is cool, get James Brown a jet plane.”

Now they wouldna done it unless they knew his record was huge around the world cause his records weren’t doing that great here in the states at the time, they were doin good, cause he had a pretty good fan base, but where people would sell a half a million records, James was down to 2 or 3 hundred thousand in the states, but around the world in every other country his records were huge in the dance clubs, the pre discos in Europe.

And that’s how I got James Brown a jet from Polydor.

©HenryStoneMusic Inc. All Rights Reserved

Jun 242015
 
James_Brown_Music_Scene_1969

James Brown on the ABC television program Music Scene. 1969 (wikimedia commons)

“Jerry Wexler’s son’s in the music business. I hear about him every once in a while. He was a producer in the bidness yaknow. So here’s a story: The guy from Island Records, Chris Blackwell wanted to sign James Brown and record him. So he got a contract on James, and sent him on down to Nassau to record with that group there, that great rhythm section in Nassau at the studio there. And he hired Paul Wexler, when he was pretty young, to produce the session yaknow. So bout 2 or 3 days later I get a frantic call from Jerry Wexler,

“Henry! Help. Help.”

I say, “What’s the problem man?”

He says James is crucifying my kid man, help!”

He says, “Please call James Brown and tell him to back off. That’s my kid yaknow.”

But you know who the only white man ever allowed in the studio with James Brown was? Me. Henry Stone. But that’s where I belonged.

James ended up throwing Paul out of the studio by the scruff of his neck and sending him back to New York.

James said, “I’ll do my own session man!”

He always knew what he wanted. That’s what he did.”

 

©HenryStoneMusic Inc. All Rights Reserved

Dec 052013
 

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Lookout Wynwood! Mysterious Henry Stone street art posters have been taking over the neighborhood as Art Basel Miami 2013 descends on the city.

We don’t know who the crusaders putting these up are, but it’s good to know that as the eyes of the world are upon Miami this week, that the creator of the Miami Sound of music will be recognized too.

If you don’t know, Henry Stone is a pioneer in R&B, soul, funk, disco, dance, and hip hop music. He produced the first version of The Twist, and wrote a song covered by Frank Sinatra. He was friends with Leonard Chess, and the first distributor for Atlantic Records.

From recording Ray Charles in a warehouse on Flagler street in 1951, to discovering Sam&Dave, Betty Wright, Little Beaver, Latimore, George McCrae, KC & The Sunshine Band, Timmy Thomas, Blowlfy, Willie Clarke, and many more, Henry Stone is a giant in the world of modern music history.

From being James Brown’s Godfather, to selling hundreds of millions of records around the globe, Henry Stone has never lost the flavor of the streets of the City of Miami, and now they bear his face in tribute to that legacy.

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Nov 132013
 

When Steve Alaimo was in college he had a band called the Redcoats. Around that time, he started hangin’ around with me as a promotion man, sort of a hangaround guy, and I’d take him up to Ernie Busker’s place, the Palms Of Hallandale to see BB King and James Brown. I think it really influenced his sound and the way he sung and the way he performed. Man, Steve was great on stage.

Later I got him on as the opener for James Brown for a stadium show in Miami, and after the gig James said to me “Don’t ever let that whiteboy on before me again.” That’s how good Steve was. James didn’t want him stealing any of his thunder.

When he was first starting out he played rooms like The Eden Roc on Miami Beach and later the big room at the Diplomat Hotel. He was doing standards, show tunes, good ol music, yaknow…music.

William Morris was the first agency to handle him and one of his first agents was Famous Amos. That’s what he did before the cookies, he was Steve’s talent agent at the William Morris Agency.

I’d say that Steve was really the first blue eyed soul singer to come along yaknow.

Sincerely,

Henry Stone

Aug 062013
 
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James Brown and Henry Stone, buddies and pals

It was about 1955. I got a call from Syd Nathan, the president of King Records up in Cincinatti. He said, “Henry, there’s an artist up in Macon, Georgia named James Brown. You should check him out and sign him to DeLuxe Records.

Then he called up Ralph Bass who also worked for him and told him the same thing. Ralph happened to be in Birmingham, Alabama takin’ care of some business at the time, so he beat me to Macon by about a day and signed James Brown to the King subsidiary Federal Records. They ended up recording “Please, Please, Please,” which of course became a million seller.

Shop for James Brown’s “Family Affair” on Henry Stone Music

So I get there a day later, and I met James, and he just knocked me over…just his whole attitude, everything, I saw him perform with Bobby Byrd at the time his group the Flames and I knew he was gonna be a star.

jamesbrownPleasePleasePleaseI said, “Man, listen, this is it, I’m gonna take your record out on the road with me while I’m promoting my DeLuxe label. I’ll make this a big hit for you James.”

I’ll tell ya one thing about James Brown, he never forgot one word anybody ever said about him, good or bad.

I went on the road and started hitting radio stations with my records, and his “Please Please Please,” and then I called Ernie Busker at the Million Dollar Palms, this little club in Hallandale, just outside Miami. We were buddies. He knew I had my ear to the ground all the time.

I told Ernie “Look there’s a guy up in Georgia, his record’s busting wide open, “Please Please Please,” you can get him down here for $500 bucks. So I got James down for $500 dollars, he worked the hell out of the Palms of Hallandale, and forget it, that weekend, after the first night, you couldn’t get near that place. That’s how packed it was.

Ernie said, “Wow! Fantastic. I’d like to get him back.” So I says, “Sure. Gimme about 3 thousand bucks and I can get him back.” He says “Really?” I says “Yeah, I’ll talk to him.” So I’m not sure the exact amount, if it was 3 or 4, but it was several thousand bucks he gave me. I gave it to James. I says, “Here man.” He says, “Is that for me?” I says, “Yeah man, you earned it.” And he never forgot that.

Shop for James Brown’s “Soul Syndrome” on Henry Stone Music

And to the day, almost the day he died, he called me from all over the world almost every two weeks. We were friends for over 50 years. We even did a label together, BrownStone Records. I was like his Godfather. He never forgot.

He used to call me “Hennystone,” man, and always made me feel real good that I was involved with his music. Throughout his whole career he would never put a record out, he’d fly down to Miami, or I’d hop in his private jet, and before he put a record out I’d have to hear it first. This went on for years and years.

James Brown, man, what a guy.

Jul 102013
 

From the Archives:

Henry Stone and James Brown

An old shot of Henry and James Brown at the Hot offices in 1997. Henry met James way back when James was just starting out and gave him some valuable advice that helped launch his career. They became good friends for the rest of James’ life. They even had a record label together called BrownStone (Get it? Brown + Stone). This photo still hangs on Henry’s office wall as a reminder of his good friend.

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May 102013
 

James Brown talks to Larry King about his friendship with Henry Stone.

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Henry Stone and James Brown through the years:

Me and James Brown were great friends since about 1954. At the time I was working with Syd Nathan of King Records on a label we had a 50-50% deal on called DeLuxe Records. I was working a record called “Hearts Of Stone” by Otis Williams and The Charms that would go on to be the first million selling r&b record to cross over into the pop charts. Anyway, I was sitting in my office in Miami when I got a call from Syd. He said, “Henry, there’s guy in Macon, Georgia by the name of James Brown whos got a hot acetate for this song “Please, Please, Please.” I want you to get your ass up there as fast as you can and sign him to DeLuxe.”

So right away I hopped in my little blue Buick and drove up the coast of Florida as fast as I could. Meanwhile, Syd had made a very similar phone call to his A&R for Federal Records, the legendary Ralph Bass. Well Ralph was just one state over from Georgia at the time, so he ended up beating me to Macon by a day. He offered James a recording contract, and he took it and signed to Federal Records.

Early photo of James Brown and Henry Stone c. 1968

Early photo of James Brown and Henry Stone c. 1968

So, I got there a day later and met the guy, and ya know what, we really hit it off. I listened to his song and I said “Man this is a hit. I’m gonna take it on the road with me while I’m promoting Hearts Of Stone and give it some DJs I know.” He was real cool and appreciative, and of course his King recordings really started to take off.

James Brown hanging out in Henry Stone's office.

James Brown hanging out in Henry Stone’s office.

When I got back to Miami I had a conversation with my buddy Ernie Busker who ran a concert hall called the Million Dollar Palms of Hallandale. It was just barely north of Miami, a nice big outdoorish venue with a huge long bar off a dirt road almost in the middle of nowhere like. Ernie used to throw these huge dances with all the big R&B acts of the time from Wynonie Harris to Willis “Gator Tail” Jackson. ANyway, he asked me if I had a lead on any new talent and I told him all about James Brown. He booked him for a weekend of gigs and made a lot of money. He asked me about booking him again so I said “Listen, Ernie, this kid is gonna be a big star, you saw how he performed out there. You better give him a couple thousand bucks now so you can get him back later.” He agreed, and I took James Brown a nice big wad of cash, and James Brown had a great memory. He never forgot that.

James Brown and Henry Stone out  on the town.

James Brown and Henry Stone out on the town.

We were really tight throughout the years and he wouldn’t sign a contract or put out an album without letting me read every word and hear every song first. When Poygram wanted to sign him, I told them they had to give him a private jet. And they did! All through my TK years he used to call me all the time, and come down to Miami to hang out every few weeks.

We also had a record label together called BrownStone.

James Brown was great friend and I still miss our conversations to this day. I can picture it so perfectly in my mind, sending young KC to M&M Liquors any time James came through, and drinking Cognac with him in the bar I had in my office at TK Records.

Feb 252013
 
My big interview with Dick Gordon

My big interview with Dick Gordon

 

Last week I got a call from Carol, a producer for “The Story, With Dick Gordon,” a really great nationwide public radio show that wanted to interview me for a segment on The Miami Sound.

So today, I drove up to the WLRN studio in Downtown Miami and got on the ISDN line with Dick Gordon in North Carolina for the interview.

Wow, he really did his research. We talked about my early days as a trumpet player in the first integrated army band at Camp Kilmer in New Jersey. We talked about my moving to California after the war, how I worked with a 17 year old Mel Torme at the studio of Ben Pollock, how I ended up with the Bihari Brothers at Modern Records, and my early distribution efforts (nationwide) with the train porters.

We got into my big move to Miami, my first million selling single (The Charms, on DeLuxe), co founding James Brown, discovering Sam & Dave, and of course recording Ray Charles.

We talked about my Tone Distributing, growing with Atlantic, hitting the road with Leonard Chess, and a few big hits I had like “Cleanup Woman,” “Funky Nassau,” “Rockin’ Chair,” and of course the first ever worldwide disco hit “Rock Your Baby” with George McCrae.

All in all, it was a great story, and I can’t wait to hear it on the radio, playing to over 125 FM stations around the U.S. (and a couple of AM stations too). And I can’t wait for you to hear it too. I will make sure and let you know when it’s out.

 

 

 

Feb 202012
 

The James Brown Band aka The J.B.’s – Groove Machine
$12.98
Buy Now

iTunes

TRACKLISTING
1. Rock Groove Machine (9:00)
2. Georgia Peach Disco (10:03)
3. Just Wanna Make You Dance (8:08)
[The J.B.s featuring MAXX]
4. Rock Disco #1 (7:10)
5. Rock (4:30)

Euro Disco Funk
by The James Brown Band
aka The J.B.’s

This 1970s trend-setting album steps way outside the box, as the James Brown produced J.B.’s lay down a disco groove that will make you get up off that thang and dance like a white boy. Don’t miss out on this thumping Disco Classic!


To Order: Click the RED “Add To Cart” button below. Then, proceed to checkout.

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Jun 152011
 

$12.98
Buy Now

iTunes

TRACKLISTING
1. Betty Wright – Clean Up Woman Listen to a Sample Sample
2. Jimmy Bo Horne – Spank Listen to a Sample Sample
3. Little Beaver – Party Down Listen to a Sample Sample
4. Gwen McCrae – Rockin’ Chair Listen to a Sample Sample
5. Steve Alaimo & Betty Wright – The Smoke Is Gone Listen to a Sample Sample
6. Latimore – Let’s Straighten It Out Listen to a Sample Sample
7. Peter Brown – Do You Wanna Get Funky With Me Listen to a Sample Sample
8. The Charms – Hearts Of Stone Listen to a Sample Sample
9. Timmy Thomas – Why Can’t We Live Together Listen to a Sample Sample
10. Foxy – Get Off Listen to a Sample Sample
11. T-Connection – Do What You Wanna Do Listen to a Sample Sample
12. Clarence Reid – Nobody But You Babe Listen to a Sample Sample
13. Wilson Pickett – The Best Part Of A Man Listen to a Sample Sample
14. Miami f/ Robert Moore – Party Freaks Listen to a Sample Sample
15. James Brown – Rapp Payback Listen to a Sample Sample

* WHO IS HENRY STONE?
Henry Stone is noted as one of the handful of individuals that started the independent movement in the music business. His involvement was key in bringing the music industry to the world. Henry Stone, dubbed the Godfather of Florida & Miami Soul, R&B, Blues, & Dance, has been an instrumental part of the music industry in Miami and throughout the world as both an independent record label owner and distributor. Stone found his niche after WW II by selling records from the trunk of his car.

In the early 1950s he was one of the first to record Ray Charles. He found and recorded James Brown as early as 1955. Also in 1955 he had his first million selling record with the Charms singing “Hearts of Stone”. In the 1960s Stone became the largest independent record distributor in the Southeast, distributing for Atlantic, Warner Bros., Motown, Stax and many more. At the time these were all independent record labels. Stone started the Miami Music craze in the late 1960s with million sellers from artists like Beginning of the End “Funky Nassau”, Clarence Reid “Nobody But You Babe”, Betty Wright “Clean Up Woman” and others. Stone’s biggest label, TK Records, was founded in the 1970s and charted 23 gold and platinum records worldwide. He discovered KC & The Sunshine Band and other million sellers including George McCrae, Gwen McCrae, Latimore, Timmy Thomas, Peter Brown and many more.

Hidden Treasures is a collection of some of the Legendary Henry Stone’s favorite songs from his labels 1950 – 1980. Vol. 1.


To Order: Click the RED “Add To Cart” button below. Then, proceed to checkout.

Order Henry Stone's Hidden Treasures CD @ $12.98

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